Although a novel, Darryl Pinckney’s Black Deutschland reads like a memoir. The style is simple, direct, conversational, flawless. It’s the the story of an American abroad: a visitor to Berlin in the final days of the wall. His journey from
Garth Greenwell’s What Belongs to You is a good, old-fashioned gay novel. In the tradition of Edmund White, Mr. Greenwell tells a very personal story. And like Mr. White, Mr. Greenwell doesn’t shy away from sex. Sexuality isn’t incidental to
This month, QueerReader.com quietly celebrated it’s seventh anniversary. It’s a good time to take stock.
When this website was launched, there were literally LGBT bookstores from coast to coast. A Different Light had branches in Los Angeles and San Francisco.
The Lambda Literary Award Finalists were announced yesterday and this year they had some tough choices to make. In a particularly strong year for fiction, there were bound to be some worthy books left out. But let’s start first with
Here’s something you might have missed: 2014 was a good year for Queer Lit. It began with the publication of The Days of Anna Madrigal: the final volume of Armistead Maupin’s Tales of the City series. Then came Edmund
James Magruder’s short story collection, Let Me See It, is exceptional. Mr. Magruder is a master at dialogue. His stories are perfectly constructed. And he has a literary style that is all his own: minimalist, yet peppered with telling
Queer readers have waited a long, long time for the definitive Tennessee Williams biography. Mr. Williams took a stab at it himself with his Memoirs, published in 1975. But Memoirs, while a thoroughly entertaining read, was self-serving and
Bernardine Evaristo’s novel, Mr. Loverman is the story of Barrington: a septuagenarian West Indian man who has finally reached the decision to come out as gay. His ever-shifting, highly complex situation is told from the perspectives of both Barrington and
In the twelve stories comprising Michael Carroll’s Little Reef, the qualities which make him a major new literary talent are on display. Mr. Carroll is a master at dialogue, his characters are three-dimensional and he clearly knows how to