Edmund White’s latest book, Sacred Monsters, is a collection of short profiles of artistic figures. In many ways Sacred Monsters is reminiscent of Lytton Strachey’s Eminent Victorians, but unlike Mr. Strachey, Mr. White has no hidden or unhidden agendas
Proving Tolstoy’s statement that “every family is unhappy in its own way,” Alison Bechdel presents us with a uniquely unhappy family. The fact that this family is her own makes this book all the more powerful. Reading it for the
What is it about time travel that is so attractive to us? Is it nostalgia? Or is it the existential desire to free ourselves from time–the one element that defines our life experience as finite? For Bob Smith, author of
I knew Vito Russo. And I suppose that’s part of the reason I shed a a few tears at the end of reading Celluloid Activist: The Life and Times of Vito Russo. I’m not going to say that I was
I’m old enough to remember a time when literally everyone I knew regularly visited a bookstore named A Different Light. I am actually referring to the first New York location–on Hudson Street. That store functioned as something of a drop-in
One of the few bright spots in the book world–aside from cookbooks–is youth fiction. Youth fiction–or YAF–hasn’t always gotten the respect that it deserves. But the publishing world’s attitude has changed significantly with the phenomenal success of the Stephenie Meyer
After twenty-one years, Armistead Maupin has finally released another Tales of the City book. The result is more literary, more serious and–for me–more emotionally moving than any of Mr. Maupin’s previous books.
One of my first art memories was a childhood visit to the Art Institute of Chicago. My father had taken me there to see the current exhibition . (I can’t remember what it was.) And along the way we passed
I love Stephen McCauley’s new novel, Insignificant Others. It is frequently humorous and for this reason, some are referring to it as a “comic novel.” But this term does not do justice to this book. Because it implies a surface
When Gay Plays: The First Collection was published in 1979, the editor, William Hoffman made the conscious decision to omit Mart Crowley’s The Boys in the Band. There were a lot of reasons why 1970’s gays didn’t like The Boys